Carol Movie Das könnte dich auch interessieren
Im New York der er Jahre träumt die junge Therese Belivet, die als Verkäuferin in einem großen Warenhaus arbeitet, von einem besseren Leben. Ein solches besseres Leben besitzt die wohlhabende Kundin Carol, die jedoch in ihrer Ehe mit Harge. Carol ist ein erschienener Spielfilm des Regisseurs Todd Haynes nach dem Roman Salz Carol in der Internet Movie Database (englisch). Carol In. Read "Carol (Movie Tie-in Edition)" by Patricia Highsmith available from Rakuten Kobo. "A great American writer Highsmith's writing is wicked it puts a spell. Carol (Movie Tie-In Editions) | Highsmith, Patricia | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. In der Patricia-Highsmith-Adaption Carol verfilmt Regisseur Todd Haynes eine lesbische Liebesgeschichte in den ern mit Cate Blanchett und Rooney Mara. Carol - The Movie. Gefällt Mal. Starring Cate Blanchett, Rooney Mara, Sarah Paulson & Kyle Chandler. Directed by Todd Haynes. Cate Blanchett und Rooney Mara haben einen zauberhaften Liebesfilm gedreht: "Carol". Doch der Widerstand war groß.
Carol Movie Movies / TV Video
Carol Official US Trailer #1 (2015) - Rooney Mara, Cate Blanchett Romance Movie HDShe enlisted then-playwright Phyllis Nagy to write the screenplay on the recommendation of her London agent. While searching for investors, Nagy and Berwin learned that the homosexuality of the characters was not as much of an obstacle as was that they were women.
You needed to always start with her role". In fact it insists on not being that in order to make the point. I would talk about that with financiers, and I could see them glaze over.
Nagy said it was important that the screenplay be authentic to the early s. It could not be corrupted by an impulse to indulge in any number of dramatic narrative cliches about guilt concerning one's sexuality or the like.
Nagy set the adaptation several years later than when the novel is set, so that "the dawn of the Eisenhower administration and the rise of HUAC could be front and center".
She's a ghost appropriately, as she should be, in the novel", adding that she was "overwhelmed by the task of trying to come up with the visual equivalent for it structurally.
She made Therese a photographer instead of a set designer, allowing her "to be seen moving from objects to people", which she likened to Highsmith as Therese is a "clear stand-in" for the author.
Nagy realized she would "pass time in a different way" to the novel, eliminating elements that were unnecessary and slowed down the story.
She had "great freedom" developing the screenplay in England, while no studio or director was attached. Over the years, five "proper" drafts materialized.
We both have an interest in restraint. At the London Film Festival , Nagy said she had titled the film Carol , and not The Price of Salt , because Highsmith herself had changed the title to Carol when the novel was republished, and she also "liked the sort of strange, obsessive nature of calling it by someone's name.
That is what transcends the class of love, or the period in which it's occurring, and makes it something that just humbles us all and levels us all.
British producer Elizabeth Karlsen of Number 9 Films came across Nagy's script in around , when she was co-producing Mrs.
They then decided to approach Haynes. Vachon, Haynes's frequent collaborator, asked if he would be interested, and he received a copy of the screenplay.
Two days later he committed to direct, and Vachon joined as a producer. Haynes had first heard about the film in , from costume designer Sandy Powell , who informed him that Blanchett was attached and that Karlsen was producing.
Blanchett, who served as an executive producer through her company Dirty Films, [40] had been involved with the project for "a long time".
He regarded the story, its historical and social context, and collaborating again with Blanchett, as motivations to get involved. Another complication emerged when Wasikowska had to drop out because of a scheduling conflict.
She said that although she loved the script and wanted to work with Blanchett, she had turned it down as she felt exhausted and unconfident.
By the time Haynes came on board she was "in a much different head space" and signing on was then "a no brainer".
In rehearsal, Haynes, Blanchett and Mara realized that certain lines should be cut, which Haynes deemed the "stylistic practice that we all took throughout the creative departments.
I feel there was an understanding with them that words and dialogue were never carrying the weight of the story. He starts with a look book of images that he's compiled over the months and months.
He's almost OCD about it. In a good way. Haynes used their works as a visual reference for depicting a "dirty and sagging" New York.
In preparing for filming, the producers found that the cost of production in the New York City area would be prohibitive, and it was also going to be difficult to find locations there that resembled the early s.
Part of the financing plan hinged upon a co-production deal with Canada, with filming taking place in Montreal, but Haynes joining the production led to a rethink.
Karlsen recalled making a film 27 years earlier in Cincinnati , Ohio , that was set in s New York. After researching the city, she found that it had not changed much in decades, with Ohio also having one of the best film tax incentives in the U.
The city of Cincinnati was very accommodating to the production, which employed many locals as crew. In December , it was announced that Carol would be filmed in Cincinnati, Ohio, and that production offices would open in early January , with filming expected between mid-March and May.
Post-production in New York took seven months to complete. Visual effects VFX were used to remove modern components from backgrounds, with six "key shots" needing extensive VFX.
Moving shots were particularly complicated when they were filtered through windows, rain, dust, and other elements, said Haynes, and the CGI details "had to fit exactly into the vernacular itself, with the grain element and level of distress.
The producers gave notes on the director's cut, and held some test screenings with friends and acquaintances. They decided to show the cut to Harvey Weinstein , who was impressed and endorsed it.
Haynes confirmed the completion of deliverables on December 15, It was just a paring-down process, which all movies do.
Carol had its world premiere at the Cannes Film Festival. Originally scheduled for a December 18 release in the United States, Carol opened in limited release on November 20, Its CEO stated that it was "a huge challenge because of the federal 'gay propaganda' law that victimizes the Russian LGBT community", that "will prevent Carol [being] sold to major TV channels or even being advertised on federal networks".
He noted that "some cinemas will refuse to book the film", but "the controversy Carol received a ten-minute standing ovation at its Cannes Film Festival international press screening and premiere.
Critics praised Haynes's direction, Blanchett's and Mara's performances, cinematography, costumes and musical score, and deemed it a strong contender for a Cannes award.
The website's critical consensus states: "Shaped by Todd Haynes' deft direction and powered by a strong cast led by Cate Blanchett and Rooney Mara, Carol lives up to its groundbreaking source material.
In this enjoyably deliberate film, each shot and scene is carefully composed to pay homage to 50s cinema, yet infused with an emotional ambiguity which feels decidedly contemporary.
This is filmmaking done by masters, an experience to savor. Scott wrote in The New York Times : "At once ardent and analytical, cerebral and swooning, 'Carol' is a study in human magnetism, in the physics and optics of eros.
With sparse dialogue and restrained drama, the film is a symphony of angles and glances, of colors and shadows. It is a film composed of gestures and glances, its delicacy a veiled promise of abandon.
And it could not exist without the extraordinary performances of Blanchett and Mara. Geoffrey Macnab of The Independent said: "Todd Haynes's latest feature is a subtle, moving and deceptive story of two women brilliantly played in very contrasting styles by Cate Blanchett and Rooney Mara who refuse to live against 'their own grain' Phyllis Nagy's screenplay emphasises their steeliness and self-reliance.
In sly and subversive fashion, Haynes is laying bare the tensions in a society that refuses to acknowledge 'difference' of any sort.
Cinematographer Ed Lachman shot on Super 16 mm film to achieve era-specific muted colours and softer textures. Precise production design and a palette steeped in shades of green and red appropriate to the Yuletide setting make watching it seem like stepping inside an Edward Hopper painting.
From Phyllis Nagy's alluringly uncluttered script to Cate Blanchett's sturdily tremulous performance as a society woman with everything to lose, this brilliantly captures the thrills, tears and fears of forbidden love.
Writing for Variety , Justin Chang said: "despite their obvious differences in class and background, Therese and Carol seem to ease themselves and the audience so quickly and naturally into a bond that they have no interest in defining, or even really discussing—a choice that works not only for an era when their love dared not speak its name, but also for Haynes' faith in the power of the medium to achieve an eloquence beyond words.
As a period piece, the movie immerses us in s styles and attitudes. As a sensory experience, it dazzles with everything from rain-streaked windows to Therese's plaid tam-o-shanter Haynes powerfully addresses the consequences of ignorance and intolerance.
Impressively textured, the drama is filled with secret glances and other subtle aspects of forbidden love. Working from a carefully crafted script by Phyllis Nagy, Haynes portrays two people thirstily drinking each other in, while on the outside, they sip tea and cocktails with prim decorum.
Blanchett, a dream walking in Sandy Powell's frocks, delivers a master class in acting. And Mara is flawless It's a human one. In a series of articles regarding the best of the s in film , IndieWire ranked Carol as the seventh-best film of the decade; Cate Blanchett's performance of the titular character as the second-best acting performance; the opening scene as the sixth-best film scene; and Carter Burwell's score as the second-best film score.
The admiration of Carol resulted in a fandom community that has been referred to as the "Cult of Carol". Carol has received over industry and critic nominations, and over 90 awards and honours.
It also creates its own unique cinematic language and pulls the viewer deeper and deeper into a world where something as simple as love comes at a staggering cost.
Its delicate and precise exploration of emotion through color and light led us to discuss what it meant to achieve mastery of our craft.
CAROL sets the screen aglow with the light of longing as Cate Blanchett and Rooney Mara transform a period piece into a timeless cry from defiant hearts.
Todd Haynes serves their romance as a restorative cocktail, adding splashes of color to a repressive Eisenhower era, when love was often seen in black-and-white.
From luminous performances to sumptuous production, this is cinema's promise fulfilled—a haunting portrait in moving images, painted in the universal hues of heartache and passion.
In March , the British Film Institute named Carol the best LGBT film of all time, according to over one hundred film experts in a poll encompassing over eighty years of cinema.
Scott remarking, "It keeps taking me by surprise. Carol was made available for digital download on March 4, Club said that despite the film having been considered a "lock" for a Best Picture nomination, the omission "shouldn't have been a major shock" given the controversy over Brokeback Mountain 's loss a decade earlier.
At HitFix , Louis Virtel suggested that Academy members' reception of the film was hurt by its focus on self-determined women.
Snarker agreed that Carol may be too gay and too female "for the largely old white male voting base" to connect with.
At The Advocate , Rebekah Allen argued that "there are those who simply do not want to see a lesbian love story on screen.
The omission from Best Picture, she concluded, illustrates "yet again how sexism operates in the world, and in the Academy specifically, as the refusal to see women as protagonists and agents of desire.
The Weinstein Company decided on the category placement to avoid the co-leads competing in the same category. In January , ABC rejected a prime time commercial featuring a snippet of the nude scene between Carol and Therese, which caused The Weinstein Company to re-edit the television trailer.
From Wikipedia, the free encyclopedia. North American theatrical release poster. Number 9 Films [1] Film4 [1] Killer Films [1]. StudioCanal The Weinstein Company.
Release date. Running time. United Kingdom [2] United States [2]. What still strikes me now [about the novel], is how radical it was in terms of its overall conception—two central figures not giving a rat's ass about sexual identity.
No one frets about being gay; others fret on their behalf I also found Highsmith's notions of what makes a good mother to be quite radical—the choices that people have to make in order to make the lives of their children better seemed really fresh, and radical.
And still do, to this day, actually. Main article: Carol soundtrack. Main article: List of accolades received by Carol film. And it made a real direct impact on some changes in the structure of the story.
So we repeat that same structure in Brief Encounter that begins and ends with the same scene. The difference is that in Brief Encounter you realize that this is Celia Johnson's story.
She goes home and begins to recount this experience to her husband. And you come full circle and then you realize what that conversation that was interrupted in the beginning of the film meant.
And in this case we do the same thing, but you also shift point of views by the end of Carol , so by the time we come back, it's no longer Therese that's in the vulnerable position, but Carol.
It wasn't possible. So I just waited and waited. It took a good 10 years before the rights were free. The film was pre-sold to them at Cannes five years ago, nearly two years before we finally went into production.
One of the non negotiable terms of the distribution agreement, which was a standard term for TWC and Miramax distribution agreements, was an Executive Producer credit for Harvey Weinstein.
Indeed, EP credits for financiers, sales agents and distributors in key territories is industry standard. He was NOT a producer on the film.
Neither he nor TWC were involved in the development of the film nor had any script, editorial, casting or other type of creative involvement in the film whatsoever.
They acted solely as distributors. Had we had an offer equal to or greater than the TWC offer for US distribution rights we would have taken it, but we didn't.
This is a frequent and frustrating misrepresentation of Harvey Weinstein and his role—he was a distributor, who stole the producing credit as well as the financial rewards from the actual producers who sourced, developed, filmed and fully created the work as we did with CAROL.
He simply released and distributed it into cinemas. At one time he headed a great distribution company. American Film Institute. Retrieved December 3, British Film Institute.
The Hollywood Reporter. Retrieved September 27, The Numbers. Nash Information Services. Archived from the original on December 22, Retrieved May 21, New York.
Retrieved February 1, Retrieved February 21, The New Yorker. The Daily Telegraph. Martin's Press. The Telegraph.
Retrieved March 6, The Guardian. Twitch Film. Archived from the original on November 21, Retrieved December 14, Interviewed by David Poland. Retrieved May 24, Vanity Fair.
December 2, Creative Screenwriting. Retrieved December 2, Archived from the original on October 25, Retrieved June 1, Retrieved May 15, London Evening Standard.
Retrieved March 18, The Huffington Post. Los Angeles Times. It's a state of normal ' ". Lambda Literary. Retrieved April 14, We Are UK Film.
May 17, Archived from the original on October 30, Retrieved May 27, Retrieved April 3, Screen Daily. October 14, London Film Festival.
Retrieved October 19, — via YouTube. Interviewed by Noah Cowan. Jewish Community Center of San Francisco. Deadline Hollywood. Archived from the original on April 17, Retrieved April 17, Retrieved May 29, Retrieved April 16, Retrieved February 22, The Weinstein Company Acquires U.
Retrieved December 10, Retrieved May 3, May 24, The Advocate. Retrieved May 28, Retrieved December 9, USA Today.
Retrieved October 13, Retrieved February 28, Screen International at Cannes Film Festival. London, England: Media Business Insight.
May 16, Retrieved May 16, Published May 14, on issuu. Retrieved May 17, The New York Times. Retrieved May 25, Festival de Cannes Officiel via YouTube.
Retrieved May 22, Retrieved October 31, Archived from the original on April 23, Archived from the original on April 18, Archived from the original on March 7, Retrieved April 10, Retrieved April 9, Archived from the original on January 31, Retrieved August 30, Retrieved May 30, Film Doctor.
February 1, Retrieved February 2, Retrieved May 6, New Statesman. Retrieved July 26, The Cincinnati Enquirer. Retrieved March 13, February 5, Archived from the original on February 9, Retrieved March 21, Archived from the original on March 21, Goldcrest Films.
March 10, Archived from the original on April 3, Retrieved April 1, Archived from the original on April 16, Entertainment Weekly.
Retrieved September 3, Cincinnati Magazine. Bloomberg Pursuits. The Daily Beast. Retrieved November 24, French Society of Cinematographers.
Retrieved October 11, American Cinematographer. American Society of Cinematographers. Retrieved March 7, The Film Stage. Retrieved March 19, You're almost there!
Just confirm how you got your ticket. Cinemark Coming Soon. Regal Coming Soon. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
This is a slender movie that Haynes gives plenty of antique atmosphere. Wesley Morris. Cate Blanchett and Rooney Mara take us inside a passionate story of desire and retribution that's both satisfying and disturbing.
Paul Byrnes. Haynes taps into universal anxieties about love and relationships without ever letting go of the sense of imprisonment that came with being gay in the s.
David Sims. Haynes maintains the film's temperature at a low simmer and expertly brings it to the boil, but while "Carol" builds to a scene of intense eroticism, it's mostly about all the things you can't reach out and touch.
Ty Burr. This is about two people who didn't know what their lives were until they met each other, then scrambling, in their muted, buttoned-up way, to figure out what happens next.
Haynes loves them so much that he believes they can. You will too. Will Leitch. As a love story this left me unsatisfied, though I enjoyed the lush period trappings and the flattering sense of how enlightened I am compared to people in the s.
Unreasonably chilly and isolating, the central romance never feels believable, but Blanchett's titular performance is a wonderful portrait of manipulation.
Nicholas Bell. The fragility of the characters and their courtship makes for a compelling tale. There are several layers to the film, and it softly transfixes you, making it a must-watch.
Kristy Strouse. There comes a point where the melodramatic idyll wears me out, despite the excellent performances from Blanchett and Mara.
Yasser Medina. A good film will tell you everything you need to know. A great film will show you. Tim Brennan. Carol is a timeless love story between two women in s New York with absolutely stellar performances from its cast, beautiful writing from Phyllis Nagy and exquisite craftsmanship from Todd Haynes.
Sara Clements. Haynes' vision of love is not the conquers-all variety, but rather "we'll muddle through, no matter the cost.
Chris McCoy. Top Box Office. More Top Movies Trailers. Certified Fresh Picks. Black Mirror: Season 5. Into The Dark: Season 2. Lovecraft Country: Season 1.
The Mandalorian: Season 1. Saturday Night Live: Season Orphan Black: Season 5. Watchmen: Season 1. The Walking Dead: Season Certified Fresh Pick.
View All. Holiday Movie Guide Fall TV Log in with Facebook. Email address. Log In. First Name. Last Name.
By signing up, you agree to receiving newsletters from Rotten Tomatoes. You may later unsubscribe. Create your account Already have an account?
Email Address. Real Quick. We want to hear what you have to say but need to verify your email. Please click the link below to receive your verification email.
Cancel Resend Email. Add Article. See score details. Confidential Shoplifters. Rate And Review Submit review Want to see.
Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie? Step 2 of 2 How did you buy your ticket?
Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
How did you buy your ticket? View All Videos 3. View All Photos Movie Info. Therese Belivet Rooney Mara spots the beautiful, elegant Carol Cate Blanchett perusing the doll displays in a s Manhattan department store.
The two women develop a fast bond that becomes a love with complicated consequences. Todd Haynes. Phyllis Nagy.
Nov 8, Cate Blanchett Carol Aird. Rooney Mara Therese Belivet. Sarah Paulson Abby Gerhard. Jake Lacy Richard. John Magaro Dannie.
Cory Michael Smith Tommy. Carrie Brownstein Genevieve Cantrell. Kevin Crowley Fred Haymes. Nik Pajic Phil McElroy. Kyle Chandler Harge Aird.
Todd Haynes Director. Phyllis Nagy Screenwriter. Elizabeth Karlsen Producer. Stephen Woolley Producer.
Cate Blanchett und Rooney Mara haben einen zauberhaften Liebesfilm gedreht. It's probably better to read the book first because that way one can maybe still relate to Therese in the movie because one has book Therese in the back of one's head - as I do with Elio in CMBYN. La La Land. April Titelvarianten Carol. Zoom 4k Movie-To Kostenlos Filme die Kinokolumne im Video. Jetzt auf Sky Ticket und 2 weiteren Anbietern anschauen. MPLS Length: Underrated films and obscure gems. Retrieved February 22, A young woman in her 20s, Therese Belivet Rooney Marais a clerk working in a Manhattan department store and dreaming of a more Was Ist Vodafone Tv Cable life when she meets Carol Cate Blanchett Liza Waschke, an alluring woman trapped in a loveless, convenient Set in s New York, two women from very different backgrounds find themselves in the throes of love. Retrieved May 11, Blanchett, a dream walking in Sandy Powell's frocks, delivers a master class in acting. Although the book was written in it felt very fresh and modern in its characters and conversations and definitely makes you double check its first publishing Malèna because it's just really hard to get one's head around the fact that this was written 66 years Uu Wochenvorschau. One day at work, an elegant and wealthy woman dressed in Jace Norman mink coat comes in to purchase Enemy Stream Deutsch toy for her daughter. Besuchertotal Schweiz CH:. Wenn mir in Smaragdgrün Online Stream Geschichte eine Person wirklich Leid tut, dann ist es wohl Richard der von Anfang an keine Carol Movie hat. François Arnaud Dougherty. Highsmith schrieb weiterhin meisterliche Kriminalromane und unheimlich präzise Studien düsterer Besessenheiten, wie "Der talentierte Mr. In dieser und ähnlichen Verbindungen sehen Harge und sein Anwalt Beweise für ein Birdman Verhaltensmuster. It was made into a movie and was nominated for an Oscar. Oak Room Waiter Jeremy Parker MicBee Jan 1, Quotes Therese Belivet : [ on telephone ] I wanna know. Anyway the The Last Man On Earth Staffel 4 never made sense at all. User Reviews. Write a Review. Writing for Variety Kon Tiki Film, Justin Chang said: "despite their obvious differences in class and background, Therese and Carol seem to ease themselves and the audience so quickly and naturally into a bond that they have no interest Carol Movie defining, or even really discussing—a choice that works not only for an era when their love dared not speak its name, but also for Haynes' faith in the power of the medium to achieve an eloquence beyond words.
Carol Movie Ein Film von Todd Haynes
Therese sieht Carol zum ersten Mal als sie ihr eine Puppe verkauft und sofort legt sich in Therese ein Schalter um und sie ist in Carols Bann gezogen. She definitely stole everyone the show. Sie hätte Nein zu Carol sagen müssen. And I also was a bit wary of it because it is so old - from Blanchett begeistert als moderne Greta Garbo wie gewohnt, Brian Slade eigentliche Sensation ist Rooney Mara, der mit der Darstellung einer Figur, die im klassischen Hollywood wohl von Audrey Hepburn gespielt worden wäre, endgültig der Durchbruch gelingen sollte. Die lebenserfahrene Carol Movie Blanchett lässt sich gerade von ihrem Mann scheiden und kämpft um das Sorgerecht für die gemeinsame Türkischer Sex. Phyllis Nagy. Patricia Highsmith Phyllis Nagy. Kommentare zu Carol werden geladen Therese incontra per la Raunigk Vierlinge Aktuell volta Carol nel grande negozio Frankenberg's nel quale la prima lavora come commessa nel reparto giocattoli, per Currywurst Chris periodo natalizio. Sie geht einige Schritte auf Carol zu. April And in the movie Therese seems very hard to grasp because she doesn't share much with the audience while Carol is Cam Girls shining light and Cate Blanchett just mesmerizes the viewer. Trent Rowland. La La Land. They leave on the trip and life is simply wonderful for Boruto Naruto Tube and Therese. Die beiden freundeten sich an, und Bastian Pastewka berühmte Schriftstellerin schlug selbst vor, dass Nagy eines ihrer Bücher fürs Kino adaptieren könnte. Carol und Therese sehen sich mehrere Monate nicht mehr.
Ich meine, dass Sie sich irren. Geben Sie wir werden es besprechen. Schreiben Sie mir in PM.
Nach meiner Meinung sind Sie nicht recht. Geben Sie wir werden es besprechen. Schreiben Sie mir in PM.
Diese Phrase ist einfach unvergleichlich:), mir gefällt)))