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Life could be wonderful for Livia and Marco: they are good-looking, young, and the parents of Tim. He is nine months old and his high-pitched wailing is wearing. The Wailing – Die Besessenen ist ein Mystery-Thriller des südkoreanischen Regisseurs Na Hong-jin aus dem Jahr Der Film lief am Mai in den. Der Film erzählt von einem kleinen Dorf in den Bergen Südkoreas. Hier führt der Polizist Jong-Goo (Kwak Do-Won) ein eigentlich recht beschauliches Leben. Aug 19, - Korean film "곡성(THE WAILING)" poster by 빛나는. Room () - IMDb. A young boy is raised within the confines of a small shed. - Korean film "곡성(THE WAILING)" poster by 빛나는. Room () - IMDb. A young boy is raised within the confines of a small shed. arxsys.eu - Kaufen Sie The Wailing - Die Besessenen günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. arxsys.eu: The Wailing - Die Besessenen: Chun, Woo-hee, Han-Cheol, Jo, Jeong-min, Hwang, Kwak, Do Won, So-Yeon, Jang, Hwang, Jung-min, Kunimura,.
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Why THE WAILING Is A Modern Horror MasterpieceThe Wailing Imdb Aktuell im Streaming:
Ähnliche Filme Psycho Raman Rate This. Learn more. Register a free business Dragonball Z Bs. Official Sites. Alamode Filmverleih. Zum Schluss sieht Jong-gu nochmal vor seinem Tod die schönsten Erlebnisse mit seiner Tochter und versichert ihr, er würde sie beschützen. Amazon Music Stream millions of songs. Deutscher Titel.Jong-Goo finds one shoe of his beloved daughter, Hyo-jin, in the house of the stranger, and soon she becomes sick. His mother-in-law summons the shaman Il-gwang to save her granddaughter while a mysterious woman tells Jong-Goo that the stranger is responsible.
Who might be the demon that is bringing sickness to Goksung? This movie was a hell of a ride. That's how engaging and interesting the story was for me.
Before watching the movie I read one review on here that said it was a "smorgasbord" of genres it was a positive review , but it doesn't really feel like it.
I mean, yes, I can see it, but the storytelling is so fluid and well written that the multiple genre aspects didn't feel out of place at all. It works.
It works so well that I almost feel like it's redundant to point out that there are "so many genres. Not necessarily in terms of the storyline, but the pace, the severity, the terror.
Both movies are quite psychological. But The Wailing delivers somewhat of a more complex storyline.
Cinematography was breathtaking. Jun Kunimura was ridiculous in an oh-so-good way. All the actors were on point.
I'm not going to point out or mention "Asian horror" here although, technically I just did I guess, lol. I just don't think that it's necessary to pigeonhole this movie into anything other than what it is; a great horror.
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Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. Director: Fritz Böhm. Writers: Fritz Böhm , Florian Eder.
Added to Watchlist. From metacritic. November's Top Streaming Picks. Everything Coming to Netflix in April Share this Rating Title: Wildling 5.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Bel Powley Anna Brad Dourif Daddy Liv Tyler Ellen Cooper Collin Kelly-Sordelet Ray Cooper James Le Gros The Wolf Man Troy Ruptash Deputy Roger Fowler Keenan Jolliff Hugo Mike Faist Lawrence Fowler Charlotte Ubben Jen Arlo Mertz Wildling Bhavesh Patel Doctor Frank Deal Chief Physician Patrick M.
Edit Storyline Anna spends her entire childhood under the care of a mysterious man she only knows as Daddy.
Edit Did You Know? Trivia In her role as Anna the lead actress Bel Powley eats sausages and hamburgers in various scenes throughout the film, despite being a vegetarian.
Goofs [ All goofs for this title are spoilers. Quotes [ first lines ] Daddy : [ telling a bedtime story ] Do you want to hear a story?
Do you want me to tell you about the Wildling? It's smart, it's clever and it's beautiful! Words that you won't actually use to describe typical horror movies.
Like an onion, some audience will walk away only having seen the outer layer but would feel as satisfied as the next audience who was able to see through all its layers.
I was taken aback when I read the message boards and reviews where critics and moviegoers weren't actually too sure if they understood the movie correctly.
I've read reviews where they view the film as a social commentary between the divide between Japanese and Koreans, others view the film as a genuinely creepy horror movie, others view it from the tragedy that it is, others saw it as a spiritual exploration.
And I was thoroughly surprised by this because I didn't see the ending as an abstract one. To me, it left very little to the interpretation.
But to better understand this, I had to search through interviews of the director Hong Jin Na on what he wants the viewers to take away with them.
It helped a lot how the film came to be. Though he didn't elaborate, he termed the deaths as "unnatural" which leaves me to think they were murdered.
Grieved with the loss of his friends, he started asking "why them? It brought him to a journey asking different religions to somehow demystify it.
This movie was a result of that exploration. In some ways, the movie tries to answer that. Jong Goo, the "hero" of the movie, asked the same question several times but there's really no special reason behind it.
We often try to search for a deeper meaning into bad things that happens to us. To devout catholics, it's the guilt that it's punishment for sins we have committed.
But in the end, we really don't have anyone but to blame but ourselves. We often times act in haste thinking our actions doesn't have consequences.
The movie forces us to evaluate who brings unspeakable tragedies into this world. Should we blame the devil for laying down the trap?
Or should we blame ourselves for being too blind to see it? I think this point was the one that resonated with me: people in this day and age have become desensitized with evil that we rarely think that the devil is real in a physical sense.
There's that unbelief in the supernatural that it has no place in our reality. Just like Jong Goo who had heard of he charged it to village rumours and seen the Devil he thought he was a serial killer, nothing more before but never really understood what he was up against.
It's more logical and easier to believe that our nightmares can never happen in the real world. It's more logical to rush back home when your family is in danger.
And that same unbelief is the very tool that the devil uses against us. It even enriched the movie, making three hours seem like two!
The director's control over the whole movie is just masterful. Hong Jin Na leaves the audience with this: Whatever ideas come to you while you watch the film, they're yours.
I want this film to be your own. On the other hand, there is one thing I wish everyone who watches this film to feel, regardless of who they are: a condolence for those who disappeared after having fallen as victims of the world.
And for those who are left behind, I sincerely wish this film gives you some time for condolences. I'll provide the dissenting opinion here.
Spoilers follow, because I'm not sure how to articulate my dissatisfaction without talking about the story. I was a big fan of The Chaser, and went in with high expectations.
At the end of this experience, I'm left with many unanswered questions, and not the good kind. Not philosophical questions, not questions about symbolism.
Instead, my questions are why we spent so darn long following threads that were ultimately little more than red herrings. Why the first third of the film was just burning time pretending to be a comedy and withholding the main plot?
Why did the events in the film happen at all? What was the point of this entire exercise? This is a whodunit with a dissatisfying who, because we don't have a WHY beyond 'crap happens, evil exists, deal with it.
A zombie movie? A conspiracy thriller? A murder mystery? A comedy? It pulls from so many of the tropes that at the end of it I feel like I spent more time trying to figure out what film I was watching that just being able to watch the film.
Lots of great cinematic moments in here. The locations, design and cinematography are mostly very satisfying.
There is one sequence in particular the major exorcism that was incredibly compelling. And despite my hate for all the comedy at the beginning of the film being part of the genre noise, it was funny and enjoyable.
Also some great performances, in particular from the child actor. Anyway, if you wanted to watch this film because you were a fan of The Chaser, go right ahead, just temper your expectations.
It doesn't have The Chaser's palpable sense of dread and power. This is not a particularly frightening, emotionally moving or satisfying film, but it's got some good moments that make the experience not a complete waste.
Na Hong-jin's The Chaser audaciously broke one of cinema's golden rules to heartbreaking effect. His sophomore effort The Yellow Sea is a pulsating rush of blood and bone.
Na Hong-jin has graduated to a whole new level with The Wailing, a smorgasbord of investigative procedural, humour, horror, supernatural, family drama, and near un-killable zombies.
Whether you are the filmmaker or the viewer, it can be really hard to start a film. No one sitting in the pitch-black cinema is your friend yet and the beginning of any film always feels like a forced act of intimacy for the viewer.
A hooker can help. The Wailing opens with a verse from the Bible, Luke and cuts to a scene of a forlorn man double hooking a worm before fishing from a boulder.
The scene is beguiling, laden with an atmosphere of dread and your consciousness will immediately lock in the little noggin of information that his unusual act has a higher purpose.
Two and a half hours later and after a post-movie long table discussion with 13 other animated persons and more than a day of further discussion on a WhatsApp chat group, I am wiser.
The first scene of The Wailing is a blue-ribbon winner and so it goes for the rest of the film. The big story is easy - a Japanese stranger Jun Kunimura arrives in a little village and soon a mysterious sickness starts to spread.
Grisly murders ensue and a strange young woman Chun Woo-Hee and a bombastic shaman Hwang Jung-Min enter into the fray.
A bumbling and lazy policeman Kwak Do Won is drawn in and he has to get to the crux of the mystery in order to save his daughter.
It is the intricate workings of the plot that needs a lot of unpacking. Forget about the age-old Hollywood adage that a good film has a plot that is easily summarised.
The last time I had so much fun dismantling and assembling back a movie was Inception! The Wailing is a stupendous and sustained piece of masterful storytelling.
It is loaded with frightful incidents and stuffed with mystifying characters. On top of that, it is genuinely terrifying as it preys on the goodness of ordinary people.
God has seemingly excused Himself from the battleground as can be gleaned from a scene in which the church says it will not lift a finger to help.
The story is compelling and riveting, and every twist, turn and outcome totally earned. The movie has a punishing runtime of minutes not because of poor pacing, but because of the intricacies of the plot.
There are plenty of bloody scenes for the gore-hounds but they are never ladled out to pump up a sagging plot. The plot never sags, not even for one instance.
Na's use of music and sounds to heighten the suspense is brilliant. From plaintive tonal chords in the beginning to a full-blown thunderous "tong tong qiang" exorcism ritual, everything adds to the atmosphere of doom.
Na has also achieved such sublime tonal shifts that I didn't even notice where I went from laughing out loud to pure heart-parked-in-my-mouth terror.
The film is suffused with motifs, religious overtones and thematically rich. Even an innocuous scene of a young woman throwing stones has biblical weight.
The storytelling is powerful and the twists perfectly angled into the story. So many times I had that "aha" feeling that told me I had the mystery figured out and the motivations of the characters down pat.
But on hindsight, I realised the only thing I had figured out early is that this is one incredibly thought provoking piece of filmmaking. The Wailing practically roars through the final act delivering all manners of monstrosity and heartbreaking sadness with aplomb.
The movie is long and rich, multilayered and satisfying. Prepare to be toyed, skewered, gutted, stabbed and get ready to be played like a violin.
I know this review is rubbish and ladened with hyperboles, but I did not exaggerate or embellish, and I did you a huge favour by remaining vague with the plot.
Believe me, it is extremely hard for me to do that. I know good films when I see them. It is the great ones that are not easy to decide on.
The Wailing is not a great film in the strictest sense but it earns its place on a shelf of illustrious films that invite so many good debates with like- minded minds.
These are films that are impossible for you to stay shut-up and have everything explained in a few by-lines.
These are films that will never leave your head long after they are done, and when you least expect it the tendrils of the narrative will rise up and wrap around your consciousness like tentacles.
There are not many films on this particular shelf and all of them have become classics. I do not use the word "classic" lightly, but I believe The Wailing may well prove to be one.
You know how I know? The movie left more questions than answers in my mind, but yet it was never a frustrating cinematic experience.
It is such a wonderful mindfcuk! The year is not over yet, but I have a feeling I will not see another film of this caliber. Films of this type are rare and such superb rare films wail out to be watched and experienced.
Experience this. After reading all the rave reviews I was pretty excited to watch this movie and because of the excellent previous movies by this director.
After 45 minutes I couldn't take it anymore, but since I invested my time in it already, I stupidly kept on watching. It is supposed to be scary, but I did not know if they wanted this to be funny or something.
I understand the title, most of the time there is people wailing in this movie, annoyingly loud, and this to have a scary effect.
I can keep on going on how bad this movie is compared to the reviews you read here, but then I waste even more time on this garbage. By the way, are the police in Korea all morons, who scream like little children and run away when they see people make scary noises??
It was not even comical to watch. I'm not going to mention any specifics about the plot or characters at all, but I do discuss the general orientation of the ending.
Stop reading if you think general might still be spoiling. I so much want to give this movie an 8 or 9 out of The acting was strong especially from the child actor ; the scenery and both overall setting and specific settings for particular scenes helped set just the right mood at the right time; there was a good dip into traditional local customs; and running alongside the plot were several themes related to important social and moral concerns racism being the biggest one.
A powerful combination. But, what really caught me and held me throughout the movie was the mystery. Multiple characters and events would lead you to suspect the antagonist was a particular person or thing, just before something lead you in a different direction.
At many points, you have two or more suspicions and are just waiting to confirm which is right. Thoroughly engaging despite the length of the movie.
And then, in the last minutes, when you are waiting for all the strings to pull together Nothing really happens. You're left with a vague ending; half your suspicions thrown to the wind, rather than tidied up; and some extra strings most of which don't fit with the rest of the plot tossed on top just to keep you more confused.
Ultimately, a terrible movie that I could not recommend to anyone. Take 10 minutes to check all the reviews here.
The cautious reader will notice a large amount of repetition in the wording of reviews, allegedly by different people. The word "masterpiece" is thrown around quite a bit and many gave this film a 9 or 10 out of I am here to say that this is not a perfect film as claimed by these reviews.
Go ahead. Give this movie half an hour. Do you agree it's a masterpiece yet? If you're worried about unfairly judging it, sacrifice the whole 2-and-a-half hours of your life.
If you believe it's a masterpiece as alleged by that point, please post your review explaining why.
His mother-in-law summons the shaman Il-gwang to save her granddaughter while a mysterious woman tells Jong-Goo that the stranger is responsible.
Who might be the demon that is bringing sickness to Goksung? This movie was a hell of a ride. That's how engaging and interesting the story was for me.
Before watching the movie I read one review on here that said it was a "smorgasbord" of genres it was a positive review , but it doesn't really feel like it.
I mean, yes, I can see it, but the storytelling is so fluid and well written that the multiple genre aspects didn't feel out of place at all. It works.
It works so well that I almost feel like it's redundant to point out that there are "so many genres. Not necessarily in terms of the storyline, but the pace, the severity, the terror.
Both movies are quite psychological. But The Wailing delivers somewhat of a more complex storyline. Cinematography was breathtaking. Jun Kunimura was ridiculous in an oh-so-good way.
All the actors were on point. I'm not going to point out or mention "Asian horror" here although, technically I just did I guess, lol.
I just don't think that it's necessary to pigeonhole this movie into anything other than what it is; a great horror. Looking for something to watch?
Choose an adventure below and discover your next favorite movie or TV show. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends.
Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.
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Alternate Versions. Rate This. Soon after a stranger arrives in a little village, a mysterious sickness starts spreading. A policeman, drawn into the incident, is forced to solve the mystery in order to save his daughter.
Director: Hong-jin Na. Writers: Hong-jin Na screenplay by , Hong-jin Na. Added to Watchlist. From metacritic. Metacritic Reviews.
Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A blossoming teenager uncovers the dark secret behind her traumatic childhood.
Director: Fritz Böhm. Writers: Fritz Böhm , Florian Eder. Added to Watchlist. From metacritic. November's Top Streaming Picks. Everything Coming to Netflix in April Share this Rating Title: Wildling 5.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Bel Powley Anna Brad Dourif Daddy Liv Tyler Ellen Cooper Collin Kelly-Sordelet Ray Cooper James Le Gros The Wolf Man Troy Ruptash Deputy Roger Fowler Keenan Jolliff Hugo Mike Faist Lawrence Fowler Charlotte Ubben Jen Arlo Mertz Wildling Bhavesh Patel Doctor Frank Deal Chief Physician Patrick M.
Edit Storyline Anna spends her entire childhood under the care of a mysterious man she only knows as Daddy. Edit Did You Know? Trivia In her role as Anna the lead actress Bel Powley eats sausages and hamburgers in various scenes throughout the film, despite being a vegetarian.
Goofs [ All goofs for this title are spoilers. Quotes [ first lines ] Daddy : [ telling a bedtime story ] Do you want to hear a story? Do you want me to tell you about the Wildling?
Daddy : His teeth are long and sharp like this. And so are his nails. Long and sharp like this. And his hair is long and black.
All over his whole body. You're my special little berry. Was this review helpful to you?
Mate-me por favor Kill Me Please. Sie sagt ihm, sie stelle dem Dämonen eine Falle und er solle ihr vertrauen. Der Film Pokemon Go Plus Batterie von einem kleinen Dorf in den Bergen Südkoreas. Deine E-Mail-Adresse. External Reviews. Ozark Besetzung zum Textformat. Sell on Amazon. The Wailing Imdb Video
THE WAILING (2016) Ending Explained The Yellow Sea - Pressespiegel arxsys.eu; The Yellow Sea auf moviepilot · IMDB-Eintrag. Weitere Filme. von Na Hong-jin · The Wailing - Die Besessenen. - The Chaser South Korea Jetzt bei Amazon Kaufen Jetzt als Blu-ray oder DVD bei arxsys.eu bestellen IMDB Rating 7,9 () Darsteller:. The Wailing (Goksung) The arrival of a mysterious stranger in a quiet Trailer: arxsys.eu 1?ref_=tt_ov_vi IMDB.The Wailing Imdb Product details
FSK 16 [1]. Plot Keywords. Sie verfolgen ihn, doch er entkommt. Bild und German Sexfilme sind recht gut. Your transaction is secure. Il-gwang passiert erneut das Haus von Jong-gu, doch plötzlich taucht die namenlose Frau auf und er bekommt schweres Nasenbluten und muss erbrechen. Der Japaner sei auf allen vieren gekrochen und habe ein Tier gegessen, seine Augen seien rot gewesen. The Lost City Of Z Online namenlose Frau sah von einem Hügel aus alles mit an. The Best "Bob's Burgers" Parodies. And this when he was actually supposed to be repairing his parents' troubled relationship. Die Knochenbrecher Ostfriesland und Ärzte nehmen anfangs an, dass giftige Pilze die Ursache dafür seien. Türkischer Sex der Fremde erscheint nun und ruft den Hund zurück. Translate all Osiris Child to English. Der Film zieeeeeeeeht sich Kurz darauf The Room Stream Deutsch es zu einem weiteren Mordfall. Parents Guide. Filming Locations: South Korea. We saw tired bloody chinned zombies going for the throat whilst shouting. That said, I'm a Korean film fan myself. The 2nd best horror movies by year! That's what the 5 is for. It works so well that I almost feel like it's redundant to point out that there are "so many genres. Clear your history. Rate This. You can find every Orchidee Englisch perspective of Korean movies. The Wailing Imdb - Neue Kritiken
Diese sei Zeugin des Mordes gewesen und schildert Jong-gu den Ablauf. Top reviews Most recent Top reviews.
Wirklich.