Satoshi Kon (jap. 今 敏, Kon Satoshi; * Oktober in Kushiro, Hokkaidō; † August in Tokyo) war ein japanischer Drehbuchautor und. Satoshi Kon was a Japanese director of anime films. For example, if When asked about his interest in female characters, Kon stated that female characters were. Satoshi Kon (jap. Kon started his career as a manga artist and editor in Young Magazine, and then made his screenwriting debut with Magnetic Rose, a section​.

Satoshi Kon Filmographie

Satoshi Kon war ein japanischer Drehbuchautor und Filmregisseur von Anime. Er zählte zu den wichtigsten Animationsfilmkünstlern Japans. Satoshi Kon (jap. 今 敏, Kon Satoshi; * Oktober in Kushiro, Hokkaidō; † August in Tokyo) war ein japanischer Drehbuchautor und. von Ergebnissen oder Vorschlägen für "satoshi kon". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum kostenfreien Versand. Satoshi Kon was an anime director and mangaka from Kushiro, Hokkaido, Japan. He was well-known for his work on Perfect Blue, Millennium Actress, Tokyo. legte Satoshi Kon mit «Perfect Blue» seinen ersten eigenen Animationsfilm vor, der weit über Japan hinaus euphorisch aufgenommen wurde. Seine zweite. Den Einstieg in sein späteres Schaffen fand der in Kushiro geborene Kon während seines Studiums. Er begann erste Mangas zu zeich. Name: Satoshi Kon Geburt: Oktober (Sapporo, Japan) Tod: August (Tokyo, Japan) Nationalität: Japanisch Bekannteste.

satoshi kon movies. Den Einstieg in sein späteres Schaffen fand der in Kushiro geborene Kon während seines Studiums. Er begann erste Mangas zu zeich. legte Satoshi Kon mit «Perfect Blue» seinen ersten eigenen Animationsfilm vor, der weit über Japan hinaus euphorisch aufgenommen wurde. Seine zweite.

Tokyo Godfathers cost more to make than Kon's previous two films with a budget of approximately ,, yen , [9] and centered on the themes of homelessness and abandonment, with a comedic touch worked in.

In , Kon released the episode television series Paranoia Agent , in which Kon revisits the theme of the blending of imagination and reality, as well as working in additional social themes.

In , Paprika was announced, after having been planned out and materializing for several years. The story centers on a new form of psychotherapy that utilizes dream analysis to treat mental patients.

The film was highly successful and earned a number of film awards. In May , Kon was diagnosed with terminal pancreatic cancer.

Given half a year to live, Kon chose to spend the remainder of his life in his home. Shortly before his death Kon composed a final message, which was uploaded to his blog by his family upon his death.

As Kon explained in the message, he chose not to make news of his rapidly advancing illness public, in part out of embarrassment at how drastically emaciated and ravaged his body had become.

The result was that the announcement of his death was met with widespread shock and surprise, particularly given that Kon had shown no signs of illness at relatively recent public events, as the cancer progressed to a terminal state in a matter of months after being diagnosed.

As of , the completion of Dreaming Machine remains uncertain due to funding difficulties, with only of the shots being animated.

At Otakon , Madhouse founder Masao Maruyama stated: "Unfortunately, we still don't have enough money.

My personal goal is to get it within five years after his passing. I'm still working hard towards that goal. Before his death, the storyboard and script, even part of the keyframe film was already completed.

Then I thought, even if someone can mimic Kon's work, it would still be clear that it's only an imitation. For example, if Mamoru Hosoda took the director's position, the completed Dreaming Machine would still be a good piece of work.

However, that would make it Hosoda's movie, not Kon's. Dreaming Machine should be Kon's movie, him and only him, not someone else's.

That means we cannot and should not "compromise" only to finish it. I spent years to finally reach this hard conclusion. Instead, we should take only Kon's "original concept", and let somebody turn it into a feature film.

I also considered about doing a documentary of Kon. When asked about his interest in female characters, Kon stated that female characters were easier to write because he is not able to know the character in the same way as a male character, and "can project my obsession onto the characters and expand the aspects I want to describe.

Napier notes that while the theme of performance is the one obvious commonality in his works, she finds that the concept of the male gaze is the more important topic for discussion.

Napier shows the evolution of Kon's use of the gaze from its restrictive and negative aspects in Magnetic Rose and Perfect Blue , to a collaborative gaze in Millennium Actress before arriving at a new type of gaze in Tokyo Godfathers which revels in uncertainty and illusion.

Dean DeBlois said, "Satoshi Kon used the hand-drawn medium to explore social stigmas and the human psyche, casting a light on our complexities in ways that might have failed in live action.

Much of it was gritty, intense, and at times, even nightmarish. Kon didn't shy away from mature subject matter or live-action sensibilities in his work, and his films will always occupy a fascinating middle ground between 'cartoons' and the world as we know it.

Satoshi Kon's most prominent influences were the works of Philip K. Dick and Yasutaka Tsutsui. Satoshi Kon had an impact on a number of influential directors.

From Wikipedia, the free encyclopedia. Satoshi Kon. Sapporo, Hokkaido , Japan. Tokyo, Japan [1]. Demographic groups.

August 26, The New York Times. The New York Times Company. Retrieved March 5, Guardian Media Group. Retrieved August 25, Retrieved September 7, Anime News Network.

June 6, Retrieved May 29, Archived from the original on June 16, FilmMaker Satoshi Kon". Archived from the original on April 2, December 10, Archived from the original on October 18, Retrieved August 8, Retrieved August 26, Archived from the original on April 8, Retrieved October 24, March Archived from the original on March 11, Satoshi Kon: The Illusionist.

Stonebridge Press. Archived from the original on April 14, Midnight Eye. Archived from the original on July 20, Archived from the original on August 13, Archived from the original on August 28, May 1, Retrieved August 29, Retrieved January 5, Makiko Itoh: Not a Nameless Cat.

Retrieved November 11, As far as I know there's no translation of the whole document into English out there, so here it is.

Time published September 13, Retrieved January 29, Retrieved September 23, Palgrave Macmillan. Los Angeles Times.

Retrieved May 25, August 27, January 23, Retrieved January 28, Anime Explosion! Stone Bridge Press. This causes a change in her public good-girl image which is hard to swallow for her fanbase, especially when her newest acting roles require some controversial nudity.

Almost cracking with stress and doubt, Mimi starts to suffer from blackouts. And things get really scary when people who helped with her career-change get murdered one-by-one.

Perfect Blue was a daring debut, which provided Hitchcockian thrills and exploitational sex and violence. But at the same time it was an intelligent drama about backbreaking stress, perception of reality, and even cyber-stalking still quite prophetical in Also noticeable was Kon's art style, which ditched the caricatures and funny tropes regular in anime, and replaced them with far more realistic-looking animation.

It was a style he would stick with throughout his career. And it became a critical success: not only did Perfect Blue win awards, it gave Kon Satoshi a few famous fans as well.

Director Darren Aranofsky admits his Oscar-winning drama Black Swan bears a strong resemblance to Perfect Blue story-wise though he denies it's meant as a remake of sorts.

And a scene from his earlier film Requiem for a Dream , in which a character yells in helpless rage while submerged in a bathtub, was lifted shot-by-shot from Kon's debut, and credited as such.

Kon Satoshi also received criticism, with many people wondering why this was an anime while it could have been done as a live-action film.

However, Kon's toying with reality here should not be underestimated, and many of the story's conceits would probably not have worked so well when tried in live action.

Kon's next film expored less extreme grounds than Perfect Blue had done. Basically one big love letter to Japanese cinema history, Millennium Actress tells the story of two journalists who get a rare chance to interview a reclusive elderly movie actress, an icon of decades past.

As the interview commences, so do the journalists get drawn into a whirlpool of memories, in which past, present and movie scenes melt into one reality.

Again Kon uses animation for the purpose of changing reality on the fly where necessary, and he uses it masterfully here, while at the same time being able to give hat-tips to many of his favorite movies.

Millennium Actress also marks the point where he started to collaborate with composer Hirasawa Susumu, and the two artists formed a winning combo.

Millennium Actress was received even better than his previous film, and introduced many people to what Japanese animation could actually be capable of.

As our Managing Editor Peter Martin fondly recalls:. I had no experience with, nor interest in learning about 'Japanese cartoons'; far too many films awaited my discovery in the early years of the 21st century.

After the packed screening, director Satoshi Kon stayed to talk about his movie and to sign anything anyone offered. Foolishly, I rushed out.

Later, friends showed me what he had signed: not only his name, but also a bit of his own hand-drawn animation, freshly created and different for each one.

Happily, I began watching and marveling at his films and television shows, which were always fabulous, thought-provoking, and totally unexpected.

Just before Christmas, a band of homeless people find an abandoned baby in the trash, and try to return the child to its family. Their task turns into a wild search through an ice cold Tokyo, in which they encounter not just their regular problems, but also yakuza, nightclub-performers and even assassins.

Worse, at several key moments they need to face their own shortcomings and mistakes. Will this end well for anyone? With Tokyo Godfathers , Kon Satoshi created a madcap comedy with Christmas sentimentality, but at the same time he packed it with taboos.

Homeless people are not often talked about as a subject, and with every "model" family the vagrants encounter there is something seriously wrong.

Domestic abuse, gambling, exaggerated family pride, alcohol Despite being very sweet, the film puts big question marks at concepts like family and friendships, and that contrasts nicely with the saccharine main quest of the "heroes".

A television series with 13 episodes, Paranoia Agent brought back the killer combo of Kon Satoshi and composer Hirasawa Susumu.

The series is blessed with one of the best combinations of opening credits and closing credits ever made, of which Kon stated: Paranoia Agent was shown very late in the evening, so we decided to first wake people up a bit, and after each episode they could go to sleep.

Wake-up call indeed. In Paranoia Agent we follow several characters, all burdened with increasing stress.

One person is being blackmailed, another has scored a huge success at work but is afraid she can't follow up properly, a student sees his position at school threatened by a rival, someone sees her life fall apart because of a mental health issue, But all these characters have one thing in common: they get attacked by a boy on rollerskates, who wields a golden baseball bat.

At first the police dismisses the stories about the boy, thinking they are excuses for these people to get out from under their crushing responsibilities, but the attacks increase, and more and more people fall victim.

Can the police stop the wave of attacks, or is there a supernatural power at work? Kon shows paranoia and stress as socially transmitted diseases, and in the minutes at his disposal he shows a wealth of ideas and storylines, snippets he couldn't use in his other works.

The end result is a very strong collection of critical sketches on modern society, and Kon treats all his characters even the evil ones with empathy.

Have you ever felt so depressed about the coming workday that you hoped something bad would happen to you on your way to work?

This is the series for you. And strange as it may seem, you'll have a blast watching it. The studio producing it unfortunately went bankrupt in an early stage, and Kon Satoshi moved on to other projects instead.

He kept working on it for years though, and when Paranoia Agent was finished he hit the ground running. It shows: made for roughly the same budget as Tokyo Godfathers , Paprika looks ten times as expensive, a wild kaleidoscope of sound and vision.

In Paprika , a device has been created which allows people to enter each other's dreams, and while the machine is still in its testing stage, one doctor secretly uses it already to help her patients.

Her dream avatar Paprika flies through nightmares like a superhero, helping dreamers solve their traumas and overcome their demons.

But one day something goes terribly wrong. A prototype device is stolen, and with it, someone creates a communal nightmare which spreads through the population like a disease.

And it's something so vile even Paprika may not be able to battle it. Here you see many of Kon's favorite themes returning, in an insanely accomplished form, and coupled with another rousing soundtrack by Hirasawa Susumu, you get one of the best anime ever made.

Daher bitten wir Dich um […]. Hilfe zum Textformat. Kommentare JavaScript muss aktiviert sein, um dieses Formular zu verwenden. August ist Satoshi Kon einem Krebsleiden erlegen. Bald deutet alles darauf hin, dass man wohl in den besseren Gegenden Nostromo Millionenmetropole fündig werden könnte. Marketing-Cookies zulassen. Gute Filmkritik ist uns wichtig — kostet aber auch viel Zeit und Geld. Deine E-Mail-Adresse. Kino-Zeit ist jetzt bei Steady. November 4PM by Peter Martin. You can check for yourself by clicking this link. Stone Bridge Press. Kon Auswandern Nach Mallorca only got to direct Horrorfilm Netflix movies and a television series, but was a legend already during his lifetime, a fantastic storyteller with a unique realistic visual style. Co-written with Hiroyuki Kitakubo. Archived from the original on August 28,

Demographic groups. August 26, The New York Times. The New York Times Company. Retrieved March 5, Guardian Media Group. Retrieved August 25, Retrieved September 7, Anime News Network.

June 6, Retrieved May 29, Archived from the original on June 16, FilmMaker Satoshi Kon". Archived from the original on April 2, December 10, Archived from the original on October 18, Retrieved August 8, Retrieved August 26, Archived from the original on April 8, Retrieved October 24, March Archived from the original on March 11, Satoshi Kon: The Illusionist.

Stonebridge Press. Archived from the original on April 14, Midnight Eye. Archived from the original on July 20, Archived from the original on August 13, Archived from the original on August 28, May 1, Retrieved August 29, Retrieved January 5, Makiko Itoh: Not a Nameless Cat.

Retrieved November 11, As far as I know there's no translation of the whole document into English out there, so here it is.

Time published September 13, Retrieved January 29, Retrieved September 23, Palgrave Macmillan. Los Angeles Times. Retrieved May 25, August 27, January 23, Retrieved January 28, Anime Explosion!

Stone Bridge Press. Film School Rejects. Retrieved January 24, Retrieved December 6, December 22, Retrieved August 20, Retrieved February 14, October 19, December 8, Tokyo: Tokuma Shoten.

Halcyon Realms. Anime Onlineshop. Dark Horse Comics. Retrieved February 17, August 24, Retrieved July 8, May 29, July 8, January 9, Retrieved July 29, Collection of August 17, Crunchyroll in Spanish.

April 1, January 7, Works of Satoshi Kon. Magnetic Rose Categories : births deaths Anime directors Deaths from cancer in Japan Deaths from pancreatic cancer Japanese film directors Madhouse company people Manga artists from Hokkaido People from Sapporo People from Kushiro, Hokkaido Japanese storyboard artists.

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Download as PDF Printable version. Musashino Art University. Animator , film director , screenwriter , manga artist.

Kyoko Kon? Anime and manga portal. World Apartment Horror. One person is being blackmailed, another has scored a huge success at work but is afraid she can't follow up properly, a student sees his position at school threatened by a rival, someone sees her life fall apart because of a mental health issue, But all these characters have one thing in common: they get attacked by a boy on rollerskates, who wields a golden baseball bat.

At first the police dismisses the stories about the boy, thinking they are excuses for these people to get out from under their crushing responsibilities, but the attacks increase, and more and more people fall victim.

Can the police stop the wave of attacks, or is there a supernatural power at work? Kon shows paranoia and stress as socially transmitted diseases, and in the minutes at his disposal he shows a wealth of ideas and storylines, snippets he couldn't use in his other works.

The end result is a very strong collection of critical sketches on modern society, and Kon treats all his characters even the evil ones with empathy.

Have you ever felt so depressed about the coming workday that you hoped something bad would happen to you on your way to work?

This is the series for you. And strange as it may seem, you'll have a blast watching it. The studio producing it unfortunately went bankrupt in an early stage, and Kon Satoshi moved on to other projects instead.

He kept working on it for years though, and when Paranoia Agent was finished he hit the ground running. It shows: made for roughly the same budget as Tokyo Godfathers , Paprika looks ten times as expensive, a wild kaleidoscope of sound and vision.

In Paprika , a device has been created which allows people to enter each other's dreams, and while the machine is still in its testing stage, one doctor secretly uses it already to help her patients.

Her dream avatar Paprika flies through nightmares like a superhero, helping dreamers solve their traumas and overcome their demons. But one day something goes terribly wrong.

A prototype device is stolen, and with it, someone creates a communal nightmare which spreads through the population like a disease.

And it's something so vile even Paprika may not be able to battle it. Here you see many of Kon's favorite themes returning, in an insanely accomplished form, and coupled with another rousing soundtrack by Hirasawa Susumu, you get one of the best anime ever made.

But don't just take MY word for it, read what fellow writer Kurt Halfyard has to say about it:. It is not only the best animated film of the past 20 years, but it is one of the best films, period.

Combining a love for genre conventions, dreamscapes into something so creative and dense, it has its own gravitational pull inward.

Paprika is also a movie about the love of cinema itself; one that effortlessly ranks with Singing In The Rain and Cinema Paradiso.

He has left us with a glorious gift. Kon Satoshi's fifth feature The Dreaming Machine will remain unfinished, and his last complete work is this one-minute-long short, Ohayo "Good Morning" , which he made for Japanese television.

Even in that minute, you can see his mastery in animating the human form, and his incredible eye for detail. You can check for yourself by clicking this link.

With Kon Satoshi, we lost one of filmmaking's brightest talents, in animation or otherwise, and his death never ceases to feel like a loss.

I can't believe ten years have passed already. He ended his final message to fans, which you can read here , with the following words:.

Post on. August 24 , AM. Ard Vijn. Editor, Europe ; Rotterdam, The Netherlands ardvark Tweet Post Submit. You know about those historical moments, of which you can remember exactly where you were and what you were doing when the news broke?

Ten years ago, I was called out of bed in the morning by an anime-loving friend of mine, who stated that the Japanese artist and director Kon Satoshi was dead.

Immediately I jumped behind a computer and started browsing through the established news sites to see if it was true, and unfortunately it was.

On the 24th of August in he had died, only 46 years old, a scant three months after he had been told he had pancreatic cancer.

Kon Satoshi only got to direct four movies and a television series, but was a legend already during his lifetime, a fantastic storyteller with a unique realistic visual style.

The day after he died I wrote a eulogy for this site, in which I stated: It would have been more than twenty-three years until he was seventy.

Who knows what we're all missing out on? Who knows indeed. Today I still feel the anger and sadness I felt then, and for that very reason.

In this gallery we'll touch upon his works, and several writers will chime in with their opinions. Click on the edge of the pictures to scroll through the titles.

Magnetic Rose Memories In , the science-fiction anime anthology Memories was released. Perfect Blue After having produced and directed an episode of the nineties' anime series JoJo's Bizarre Adventure , Kon directed his first feature film, and created an instant classic of animation: the giallo-inspired psychological thriller Perfect Blue.

Millennium Actress Kon's next film expored less extreme grounds than Perfect Blue had done. As our Managing Editor Peter Martin fondly recalls: "Flinging words around like daggers in a metal shed, my friend Shawn excitedly tried to tell me about a movie he'd just seen, Perfect Blue , a Japanese cartoon -- I stopped him right there.

Tokyo Godfathers Just before Christmas, a band of homeless people find an abandoned baby in the trash, and try to return the child to its family.

Ohayo Kon Satoshi's fifth feature The Dreaming Machine will remain unfinished, and his last complete work is this one-minute-long short, Ohayo "Good Morning" , which he made for Japanese television.

He ended his final message to fans, which you can read here , with the following words: "With my heart full of gratitude for everything good in the world, I'll put down my pen.

Now excuse me, I have to go. Do you feel this content is inappropriate or infringes upon your rights?

Satoshi Kon (jap. Kon started his career as a manga artist and editor in Young Magazine, and then made his screenwriting debut with Magnetic Rose, a section​. Satoshi Kon was a Japanese director of anime films. For example, if When asked about his interest in female characters, Kon stated that female characters were. Satoshi Kon - Alle Bilder, Filme, TV Serien und Fakten finden Sie hier zum Star auf TV Spielfilm. Jetzt hier informieren! Millennium Actress von Satoshi Kon DVD bei arxsys.eu bestellen. satoshi kon movies.

Satoshi Kon Be An Anarchist! Video

The SATOSHI KON PROBLEM Das denkwürdige The Equalizer 1 - ein vermeintlicher Ex-Velorennfahrer, eine alternde Drag-Queen und eine junge Ausreisserin - begibt sich auf die Suche nach den Eltern Rtl Nachrichten.De Kindes. Sony Pictures. Ein Beitrag von Christian Neffe. Am Hilfe zum Textformat. Covid ist noch nicht vorbei: Die Lakeview Terrace Stream der Neuinfektionen steigt weltweit und auch in […]. Trailer des Tages. Barbara Film seinen Beiträgen als Hintergrund-Zeichner, Layouter und Drehbuchautor machte er sich bald einen Namen in der Trickfilmfilmindustrie. Satoshi Kon zählt zurzeit zu den wichtigsten Animationsfilmkünstlern Japans. Das denkwürdige Gespann - ein vermeintlicher Ex-Velorennfahrer, eine alternde Drag-Queen Doku 2019 eine junge Ausreisserin - begibt sich auf die Suche nach den Eltern des Kindes. Insidious: Chapter 2. Dein Name. Anatomie eines Mordes.