West Side Story Besetzung Inhaltsverzeichnis
In New York gibt es zwei große Gangs, die amerikanischen `Jets' und die `Sharks', die aus Puerto Rico zugewandert sind. Die Gangs liefern sich erbitterte Schlachten auf den Straßen der West Side. Das will die Polizei verhindern. Lieutenant Schrank. Schauspielerinnen und Schauspieler. Natalie Wood. Rolle: Maria. Richard Beymer. Rolle: Tony. George Chakiris. Rolle: Bernardo. Rita Moreno. Rolle: Anita. Sergeant Krupke Brian d'Arcy James. Lieutenant Schrank Corey Stoll. Schauspieler Luke Whoriskey. Anybodys Ezra Menas. Mouthpiece Ben Cook (XI). West Side Story – Wikipedia. Da versteht Anita, dass Maria Tony genauso liebt, wie sie Bernardo geliebt hat. Sie singt „I Have A Love“. Anita erzählt Maria von Chinos Absicht, Tony zu töten. Maria | 30 Fans. Bekannt für denn sie wissen nicht, was sie tun. Fan werden. RB · Richard Beymer. Tony | 5 Fans. Bekannt für. Twin Peaks. Fan werden. Maria | 0 Fans. Fan werden. Ansel Elgort. Tony | Fans. Bekannt für. Baby Driver. Fan werden. Rita Moreno. Valentina | 6 Fans. Bekannt für. West Side Story.
West Side Story Besetzung West Side Story Besetzung Inhaltsverzeichnis Video
West Side Story: \West Side Story Besetzung - Komplette Besetzung von West Side Story
Yes ist could! Die Aula war durch die vielen Chor- und Theater-AG Proben während meiner Schulzeit fast ein zweites Zuhause für mich und es war klar, dass ich diese tolle Zeit rund um die Entstehung des Musicals ein weiteres Mal erleben möchte.West Side Story Besetzung Navigationsmenü
Luis Dirk Biedritzky. Und seien Sie schnell — Watch My Hero Academia habe gehört, dass die Aufführungen der letzten Jahre alle ausverkauft waren … Wir sehen uns! Sie bilden einen Trauermarsch, der Hoffnung gibt, dass es zu einer Versöhnung der beiden Banden kommt. Maria ist tief erschüttert, hält jedoch zu Tony, der inzwischen sowohl von den Gegen als auch von der Polizei gesucht wird. Doch Maria gesteht ihrer Freundin ihre Liebe zu Tony. Die folgende Szene spielt in der War Tv der Latinos.The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds. The members of the Sharks, from Puerto Rico , are taunted by the Jets, a white gang.
The dark theme, sophisticated music, extended dance scenes, and focus on social problems marked a turning point in American musical theatre. The original Broadway production, conceived, directed and choreographed by Jerome Robbins and produced by Robert E.
Griffith and Harold Prince , marked Sondheim's Broadway debut. It ran for performances before going on tour.
Robbins won the Tony Award for his choreography and Oliver Smith won for his scenic designs. The show had an even longer-running London production, a number of revivals and international productions.
He proposed that the plot focus on the conflict between an Irish Catholic family and a Jewish family living on the Lower East Side of Manhattan , [4] during the Easter— Passover season.
The girl has survived the Holocaust and emigrated from Israel; the conflict was to be centered around anti-Semitism of the Catholic "Jets" towards the Jewish "Emeralds" a name that made its way into the script as a reference.
Bernstein wanted to present the material in operatic form, but Robbins and Laurents resisted the suggestion. They described the project as "lyric theater", and Laurents wrote a first draft he called East Side Story.
Only after he completed it did the group realize it was little more than a musicalization of themes that had already been covered in plays like Abie's Irish Rose.
When Robbins opted to drop out, the three men went their separate ways, and the piece was shelved for almost five years. In , theatrical producer Martin Gabel was working on a stage adaptation of the James M.
Cain novel Serenade , about an opera singer who comes to the realization he is homosexual, and he invited Laurents to write the book. Laurents accepted and suggested Bernstein and Robbins join the creative team.
Robbins felt if the three were going to join forces, they should return to East Side Story , and Bernstein agreed. Sondheim auditioned by playing the score for Saturday Night , his musical that was scheduled to open in the fall.
Laurents liked the lyrics but was not impressed with the music. Sondheim did not care for Laurents' opinion. Serenade ultimately was shelved. While in Hollywood, he contacted Bernstein, who was in town conducting at the Hollywood Bowl.
The two met at The Beverly Hills Hotel , and the conversation turned to juvenile delinquent gangs , a fairly recent social phenomenon that had received major coverage on the front pages of the morning newspapers due to a Chicano turf war.
The two contacted Robbins, who was enthusiastic about a musical with a Latin beat. He arrived in Hollywood to choreograph the dance sequences for the film The King and I , and he and Laurents began developing the musical while working on their respective projects, keeping in touch with Bernstein, who had returned to New York.
When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind, he backed out of the film, freeing him to devote all his time to the stage musical.
Bernstein had decided he needed to concentrate solely on the music, and he and Robbins had invited Betty Comden and Adolph Green to write the lyrics, but the team opted to work on Peter Pan instead.
Laurents asked Sondheim if he would be interested in tackling the task. Initially he resisted, because he was determined to write the full score for his next project Saturday Night had been aborted.
But Oscar Hammerstein convinced him that he would benefit from the experience, and he accepted. The original book Laurents wrote closely adhered to Romeo and Juliet , but the characters based on Rosaline and the parents of the doomed lovers were eliminated early on.
Later the scenes related to Juliet's faking her death and committing suicide also were deleted. Language posed a problem; four-letter curse words were uncommon in the theater at the time, and slang expressions were avoided for fear they would be dated by the time the production opened.
Laurents ultimately invented what sounded like real street talk but actually was not: "cut the frabba-jabba", for example. With the help of Oscar Hammerstein, Laurents convinced Bernstein and Sondheim to move "One Hand, One Heart", which he considered too pristine for the balcony scene, to the scene set in the bridal shop, and as a result "Tonight" was written to replace it.
Laurents felt that the building tension needed to be alleviated in order to increase the impact of the play's tragic outcome, so comic relief in the form of Officer Krupke was added to the second act.
He was outvoted on other issues: he felt the lyrics to " America " and " I Feel Pretty " were too witty for the characters singing them, but they stayed in the score and proved to be audience favorites.
Another song, "Kid Stuff", was added and quickly removed during the Washington, D. Bernstein composed West Side Story and Candide concurrently, which led to some switches of material between the two works.
Just as Tony and Maria, our Romeo and Juliet, set themselves apart from the other kids by their love, so we have tried to set them even further apart by their language, their songs, their movement.
Wherever possible in the show, we have tried to heighten emotion or to articulate inarticulate adolescence through music, song or dance.
The show was nearly complete in the fall of , but almost everyone on the creative team needed to fulfill other commitments first.
Bernstein was despondent, but Sondheim convinced his friend Hal Prince , who was in Boston overseeing the out-of-town tryout of the new George Abbott musical New Girl in Town , to read the script.
He liked it but decided to ask Abbott, his longtime mentor, for his opinion, and Abbott advised him to turn it down. Prince, aware that Abbott was the primary reason New Girl was in trouble, decided to ignore him, and he and his producing partner Robert Griffith flew to New York to hear the score.
Prince began cutting the budget and raising money. Robbins then announced he did not want to choreograph the show, but changed his mind when Prince agreed to an eight-week dance rehearsal period instead of the customary four , since there was to be more dancing in West Side Story than in any previous Broadway show, [16] and allowed Robbins to hire Peter Gennaro as his assistant.
Getting the work on stage was still not easy. Bernstein said:. Everyone told us that [ West Side Story ] was an impossible project And we were told no one was going to be able to sing augmented fourths , as with "Ma-ri-a" Also, they said the score was too rangy for pop music Besides, who wanted to see a show in which the first-act curtain comes down on two dead bodies lying on the stage?
And then we had the really tough problem of casting it, because the characters had to be able not only to sing but dance and act and be taken for teenagers.
Ultimately, some of the cast were teenagers, some were 21, some were 30 but looked Some were wonderful singers but couldn't dance very well, or vice versa Throughout the rehearsal period, the New York newspapers were filled with articles about gang warfare, keeping the show's plot timely.
Robbins kept the cast members playing the Sharks and the Jets separate in order to discourage them from socializing with each other and reminded everyone of the reality of gang violence by posting news stories on the bulletin board backstage.
He gave the ensemble more freedom than Broadway dancers had previously been given to interpret their roles, and the dancers were thrilled to be treated like actors instead of just choreographed bodies.
There were problems with Oliver Smith 's designs. His painted backdrops were stunning, but the sets were, for the most part, either shabby looking or too stylized.
Prince refused to spend money on new construction, and Smith was obliged to improve what he had as best he could with very little money to do it.
Bernstein magnanimously removed his name as co-author of the lyrics, although Sondheim was uncertain he wanted to receive sole credit for what he considered to be overly florid contributions by Bernstein.
Robbins demanded and received a "Conceived by" credit, and used it to justify his making major decisions regarding changes in the show without consulting the others.
As a result, by opening night on Broadway, none of his collaborators were talking to him. It has been rumored that while Bernstein was off trying to fix the musical Candide , Sondheim wrote some of the music for West Side Story , and that Bernstein's co-lyricist billing mysteriously disappeared from the credits of West Side Story during the tryout, presumably as a trade-off.
Contrary to rumor, Sondheim did not write music for the show; his only contribution came on "Something's Coming", where he developed the main strain of the chorus from music Bernstein wrote for the verse.
They are warned by police officers Krupke and Lt. Schrank to stop fighting on their beat. The police chase the Sharks off, and then the Jets plan how they can assure their continued dominance of the street.
The Jets' leader, Riff, suggests setting up a rumble with the Sharks. He plans to make the challenge to Bernardo, the Sharks' leader, that night at the neighborhood dance.
Riff wants to convince his best friend and former member of the Jets, Tony, to meet the Jets at the dance. Some of the Jets are unsure of his loyalty, but Riff is adamant that Tony is still one of them "Jet Song".
Riff meets Tony while he's working at Doc's Drugstore to persuade him to come. Tony initially refuses, but Riff wins him over.
Tony is convinced that something important is round the corner " Something's Coming ". Maria works in a bridal shop with Anita, the girlfriend of her brother, Bernardo.
Maria has just arrived from Puerto Rico for her arranged marriage to Chino, a friend of Bernardo's. Maria confesses to Anita that she is not in love with Chino.
Anita makes Maria a dress to wear to the neighborhood dance. At the dance, after introductions, the teenagers begin to dance; soon a challenge dance is called "Dance at the Gym" , during which Tony and Maria who aren't taking part in the challenge dance see each other across the room and are drawn to each other.
They dance together, forgetting the tension in the room, and fall in love, but Bernardo pulls his sister from Tony and sends her home.
Riff and Bernardo agree to meet for a War Council at Doc's, a drug store which is considered neutral ground, but meanwhile, an infatuated and happy Tony finds Maria's building and serenades her outside her bedroom " Maria ".
She appears on her fire escape, and the two profess their love for one another " Tonight ". The Jets get antsy while waiting for the Sharks inside Doc's Drugstore.
Riff helps them let out their aggression " Cool ". The Sharks arrive to discuss weapons to use in the rumble. Tony suggests "a fair fight" fists only , which the leaders agree to, despite the other members' protests.
Bernardo believes that he will fight Tony, but must settle for fighting Diesel, Riff's second-in-command, instead.
This is followed by a monologue by the ineffective Lt. Schrank trying to find out the location of the rumble.
Tony tells Doc about Maria. Doc is worried for them while Tony is convinced that nothing can go wrong; he is in love.
The next day, Maria is in a very happy mood at the bridal shop, as she anticipates seeing Tony again. However, she learns about the upcoming rumble from Anita and is dismayed.
When Tony arrives, Maria asks him to stop the fight altogether, which he agrees to do. Before he goes, they dream of their wedding " One Hand, One Heart ".
The gangs meet under the highway and, as the fight between Bernardo and Diesel begins, Tony arrives and tries to stop it.
Though Bernardo taunts and provokes Tony, ridiculing his attempt to make peace, Tony keeps his composure.
When Bernardo pushes Tony, Riff punches him in Tony's defense. The two draw their switchblades and get in a fight "The Rumble".
Tony attempts to intervene, inadvertently leading to Riff being fatally stabbed by Bernardo. Tony kills Bernardo in a fit of rage, which in turn provokes an all-out fight like the fight in the Prologue.
The sound of approaching police sirens is heard, and everyone scatters, except Tony, who stands in shock at what he has done. Il s'envole pour New York avec son partenaire de production Robert E.
Griffith pour entendre la partition [ 17 ]. Le directeur musical est Joe Lewis [ 26 ]. Les traductions sont de Lin-Manuel Miranda. Aujourd'hui, ils ne le seraient pas que virtuellement.
Wikimedia Commons. Menu de navigation Espaces de noms Article Discussion. Pour les articles homonymes, voir West Side Story homonymie.
Griffith sur ibdb. Dann really. Alle Beteiligten investieren sehr viel Arbeit und Zeit in das Musical. Baby John — Leon Ahner.
Teresita — Josephine Eisenmann. Robert Wise. Maria 0 Fans. Ansel Elgort. Tony Fans. Baby Driver. Rita Moreno. Valentina 5 Fans.
West Side Story. Romeo-Tony liebt Julia-Maria, die zu verfeindeten Banden gehören. Tony wird von einem Shark erschossen.
Angesichts eines Toten bringt Maria. West Side Story Besetzung Navigationsmenü Durch die intensive Zusammenarbeit lässt man see more nach und nach auf das Stück und seine Themen ein und check this out sich mit seiner Rolle.
Jura, das um einiges interessanter ist, als sein Ruf. Eine kleine Sprechrolle here haben, ist für mich neu. Je weiter es mit der Planung voran ging, desto more info Vorfreude kam auf.
Dirk Hofacker. Martina Vinazza. Marta Calandrino. Die hier wiedergegebenen Bewertungen sind Meinungen einzelner Zuschauer und entsprechen nicht unbedingt den Ansichten der Musicalzentrale.
Deadline Hollywood. Unfortunately, article source Jets, who have found Tony, have congregated at Doc's, geiss uncle sam robert they taunt Anita with racist slurs click the following article eventually attempt rape.
Andreas Wolfram. Aus diesem Grund meldete ich mich für das Vorsingen und bekam meine Traumrolle. Dabei trifft er auf Maria und läuft auf sie zu.
Die Aula war durch die vielen Chor- und Theater-AG Proben während meiner Schulzeit fast ein zweites Zuhause für mich und es war klar, dass ich diese tolle Zeit rund um die Entstehung des Musicals ein weiteres Mal erleben möchte.
Domenico Poziello. Im Jahr wurde das Musical verfilmt. Bitte hilf Wikipedia, indem du die Angaben recherchierst und gute Belege einfügst.
Doch bevor dies geschieht, kommt Tony aufgebracht hinzu. Diese wird jedoch noch rechtzeitig global gladiators Officer Krupke unterbunden Prolog.
Dieses Musical ist einzigartig, da der Zuschauer in der einen Minute zum Tanzen und Lachen animiert, und im nächsten Moment eine Gänsehaut bekommt.
Eine super Atmosphäre während der Proben garantiert den Fortschritt der Inszenierung. Doch Maria gesteht ihrer Freundin ihre Liebe zu Tony.
Die please click for source Szene spielt read more der Schneiderstube der Latinos. Und doch hat sie so unendlich schöne musikalische Momente.
Thomas Stanford. Sybille Lambrich Beatrice Reece. Dann really. Alle Beteiligten investieren sehr viel Arbeit und Zeit in das Musical.
Baby John — Leon Ahner. Teresita — Josephine Eisenmann. Robert Wise. Initially he resisted, because he was determined to write the full score for his next project Saturday Night had been aborted.
But Oscar Hammerstein convinced him that he would benefit from the experience, and he accepted.
The original book Laurents wrote closely adhered to Romeo and Juliet , but the characters based on Rosaline and the parents of the doomed lovers were eliminated early on.
Later the scenes related to Juliet's faking her death and committing suicide also were deleted. Language posed a problem; four-letter curse words were uncommon in the theater at the time, and slang expressions were avoided for fear they would be dated by the time the production opened.
Laurents ultimately invented what sounded like real street talk but actually was not: "cut the frabba-jabba", for example. With the help of Oscar Hammerstein, Laurents convinced Bernstein and Sondheim to move "One Hand, One Heart", which he considered too pristine for the balcony scene, to the scene set in the bridal shop, and as a result "Tonight" was written to replace it.
Laurents felt that the building tension needed to be alleviated in order to increase the impact of the play's tragic outcome, so comic relief in the form of Officer Krupke was added to the second act.
He was outvoted on other issues: he felt the lyrics to " America " and " I Feel Pretty " were too witty for the characters singing them, but they stayed in the score and proved to be audience favorites.
Another song, "Kid Stuff", was added and quickly removed during the Washington, D. Bernstein composed West Side Story and Candide concurrently, which led to some switches of material between the two works.
Just as Tony and Maria, our Romeo and Juliet, set themselves apart from the other kids by their love, so we have tried to set them even further apart by their language, their songs, their movement.
Wherever possible in the show, we have tried to heighten emotion or to articulate inarticulate adolescence through music, song or dance. The show was nearly complete in the fall of , but almost everyone on the creative team needed to fulfill other commitments first.
Bernstein was despondent, but Sondheim convinced his friend Hal Prince , who was in Boston overseeing the out-of-town tryout of the new George Abbott musical New Girl in Town , to read the script.
He liked it but decided to ask Abbott, his longtime mentor, for his opinion, and Abbott advised him to turn it down. Prince, aware that Abbott was the primary reason New Girl was in trouble, decided to ignore him, and he and his producing partner Robert Griffith flew to New York to hear the score.
Prince began cutting the budget and raising money. Robbins then announced he did not want to choreograph the show, but changed his mind when Prince agreed to an eight-week dance rehearsal period instead of the customary four , since there was to be more dancing in West Side Story than in any previous Broadway show, [16] and allowed Robbins to hire Peter Gennaro as his assistant.
Getting the work on stage was still not easy. Bernstein said:. Everyone told us that [ West Side Story ] was an impossible project And we were told no one was going to be able to sing augmented fourths , as with "Ma-ri-a" Also, they said the score was too rangy for pop music Besides, who wanted to see a show in which the first-act curtain comes down on two dead bodies lying on the stage?
And then we had the really tough problem of casting it, because the characters had to be able not only to sing but dance and act and be taken for teenagers.
Ultimately, some of the cast were teenagers, some were 21, some were 30 but looked Some were wonderful singers but couldn't dance very well, or vice versa Throughout the rehearsal period, the New York newspapers were filled with articles about gang warfare, keeping the show's plot timely.
Robbins kept the cast members playing the Sharks and the Jets separate in order to discourage them from socializing with each other and reminded everyone of the reality of gang violence by posting news stories on the bulletin board backstage.
He gave the ensemble more freedom than Broadway dancers had previously been given to interpret their roles, and the dancers were thrilled to be treated like actors instead of just choreographed bodies.
There were problems with Oliver Smith 's designs. His painted backdrops were stunning, but the sets were, for the most part, either shabby looking or too stylized.
Prince refused to spend money on new construction, and Smith was obliged to improve what he had as best he could with very little money to do it.
Bernstein magnanimously removed his name as co-author of the lyrics, although Sondheim was uncertain he wanted to receive sole credit for what he considered to be overly florid contributions by Bernstein.
Robbins demanded and received a "Conceived by" credit, and used it to justify his making major decisions regarding changes in the show without consulting the others.
As a result, by opening night on Broadway, none of his collaborators were talking to him. It has been rumored that while Bernstein was off trying to fix the musical Candide , Sondheim wrote some of the music for West Side Story , and that Bernstein's co-lyricist billing mysteriously disappeared from the credits of West Side Story during the tryout, presumably as a trade-off.
Contrary to rumor, Sondheim did not write music for the show; his only contribution came on "Something's Coming", where he developed the main strain of the chorus from music Bernstein wrote for the verse.
They are warned by police officers Krupke and Lt. Schrank to stop fighting on their beat. The police chase the Sharks off, and then the Jets plan how they can assure their continued dominance of the street.
The Jets' leader, Riff, suggests setting up a rumble with the Sharks. He plans to make the challenge to Bernardo, the Sharks' leader, that night at the neighborhood dance.
Riff wants to convince his best friend and former member of the Jets, Tony, to meet the Jets at the dance. Some of the Jets are unsure of his loyalty, but Riff is adamant that Tony is still one of them "Jet Song".
Riff meets Tony while he's working at Doc's Drugstore to persuade him to come. Tony initially refuses, but Riff wins him over.
Tony is convinced that something important is round the corner " Something's Coming ". Maria works in a bridal shop with Anita, the girlfriend of her brother, Bernardo.
Maria has just arrived from Puerto Rico for her arranged marriage to Chino, a friend of Bernardo's. Maria confesses to Anita that she is not in love with Chino.
Anita makes Maria a dress to wear to the neighborhood dance. At the dance, after introductions, the teenagers begin to dance; soon a challenge dance is called "Dance at the Gym" , during which Tony and Maria who aren't taking part in the challenge dance see each other across the room and are drawn to each other.
They dance together, forgetting the tension in the room, and fall in love, but Bernardo pulls his sister from Tony and sends her home.
Riff and Bernardo agree to meet for a War Council at Doc's, a drug store which is considered neutral ground, but meanwhile, an infatuated and happy Tony finds Maria's building and serenades her outside her bedroom " Maria ".
She appears on her fire escape, and the two profess their love for one another " Tonight ". The Jets get antsy while waiting for the Sharks inside Doc's Drugstore.
Riff helps them let out their aggression " Cool ". The Sharks arrive to discuss weapons to use in the rumble. Tony suggests "a fair fight" fists only , which the leaders agree to, despite the other members' protests.
Bernardo believes that he will fight Tony, but must settle for fighting Diesel, Riff's second-in-command, instead. This is followed by a monologue by the ineffective Lt.
Schrank trying to find out the location of the rumble. Tony tells Doc about Maria. Doc is worried for them while Tony is convinced that nothing can go wrong; he is in love.
The next day, Maria is in a very happy mood at the bridal shop, as she anticipates seeing Tony again. However, she learns about the upcoming rumble from Anita and is dismayed.
When Tony arrives, Maria asks him to stop the fight altogether, which he agrees to do. Before he goes, they dream of their wedding " One Hand, One Heart ".
The gangs meet under the highway and, as the fight between Bernardo and Diesel begins, Tony arrives and tries to stop it. Though Bernardo taunts and provokes Tony, ridiculing his attempt to make peace, Tony keeps his composure.
When Bernardo pushes Tony, Riff punches him in Tony's defense. The two draw their switchblades and get in a fight "The Rumble". Tony attempts to intervene, inadvertently leading to Riff being fatally stabbed by Bernardo.
Tony kills Bernardo in a fit of rage, which in turn provokes an all-out fight like the fight in the Prologue.
The sound of approaching police sirens is heard, and everyone scatters, except Tony, who stands in shock at what he has done. The tomboy Anybodys, who stubbornly wishes that she could become a Jet, tells Tony to flee from the scene at the last moment and flees with the knives.
Only the bodies of Riff and Bernardo remain. Blissfully unaware of the gangs' plans for that night, Maria daydreams with her friends, Rosalia, Consuelo , Teresita and Francisca, about seeing Tony " I Feel Pretty ".
Later, as Maria dances on the roof happily because she has seen Tony and believes he went to stop the rumble, Chino brings the news that Tony has killed Bernardo.
Maria flees to her bedroom, praying that Chino is lying. Tony arrives to see Maria and she initially pounds on his chest with rage, but she still loves him.
They plan to run away together. As the walls of Maria's bedroom disappear, they find themselves in a dreamlike world of peace " Somewhere ".
They meet the rest of the gang. To cheer themselves up, they lampoon Officer Krupke, and the other adults who don't understand them " Gee, Officer Krupke ".
Anybodys arrives and tells the Jets she has been spying on the Puerto Ricans; she has discovered that Chino is looking for Tony with a gun.
The gang separates to find Tony. Action has taken charge; he accepts Anybodys into the Jets and includes her in the search. A grieving Anita arrives at Maria's apartment.
As Tony leaves, he tells Maria to meet him at Doc's so they can run away to the country. In spite of her attempts to conceal it, Anita sees that Tony has been with Maria, and launches an angry tirade against him " A Boy Like That ".
She admits that Chino has a gun and is looking for Tony. Schrank arrives to question Maria about her brother's death, and Anita agrees to go to Doc's to tell Tony to wait.
Unfortunately, the Jets, who have found Tony, have congregated at Doc's, and they taunt Anita with racist slurs and eventually attempt rape.
Doc arrives and stops them. Anita is furious, and in anger spitefully delivers the wrong message, telling the Jets that Chino has shot Maria dead.
Doc relates the news to Tony, who has been dreaming of heading to the countryside to have children with Maria. Feeling there is no longer anything to live for, Tony leaves to find Chino, begging for him to shoot him as well.
Just as Tony sees Maria alive, Chino arrives and shoots Tony. The Jets, Sharks, and adults flock around the lovers. Maria holds Tony in her arms and sings a quiet, brief reprise of "Somewhere" as he dies.
Angry at the death of another friend, the Jets move towards the Sharks but Maria takes Chino's gun and tells everyone that "all of [them]" killed Tony and the others because of their hate for each other, and, "Now I can kill too, because now I have hate!
However, she is unable to bring herself to fire the gun and drops it, crying in grief. Gradually, all the members of both gangs assemble on either side of Tony's body, showing that the feud is over.
Au magasin, les Jets raillent Anita avec des insinuations et des insultes racistes. Sentant que plus rien ne vaut de vivre, Tony part chercher Chino priant pour que Chino le tue aussi.
Pendant que Tony meurt dans les bras de Maria, les Jets et les Sharks se rassemblent autour des amoureux Somewhere , reprise.
Mais elle est incapable de tirer et s'effondre dans sa douleur, mettant fin au cycle de la violence. Laurents aime les paroles, mais n'est pas convaincu par la musique.
Sondheim ne tient pas compte de l'avis de Laurents. Celui-ci lui conseille de tourner les talons. Il s'envole pour New York avec son partenaire de production Robert E.
Griffith pour entendre la partition [ 17 ].
Die Musik benutzt Elemente des Jazz sowie der Tanzmusik und macht. Anleihen beim italienischen Opernstil. Die Songs „Tonight", „Maria", „America",. „I Feel. Romeo-Tony liebt Julia-Maria, die zu verfeindeten Banden gehören. Tony wird von einem Shark erschossen. Angesichts eines Toten bringt Maria. Maria. – kein Mitglied der Sharks, aber der puerto-ricanischen Gemeinschaft. – Bernardos Schwester. – von Bernardo sehr behütet, hat aber ihren eigenen Kopf. Die Liebenden schwören sich ewige Treue, doch als Bernardo in einem Bandenkampf Riff ersticht, rächt Tony seinen Freund und tötet Bernardo. Maria ist tief. Maria ist schockiert. Robert Wise und Jerome Robbins Alex D im Filmvorspann gleichwertig als Spielfilme Kostenlos Schauen angeführt: Für Wise war es das erste Filmmusical [2]sodass er mit den Eigenarten Emmanuelle Devos Genres wie beispielsweise den Tanzszenen noch unerfahren war, während der erfahrene Choreograph Robbins an West Side Story bereits am Broadway gearbeitet hatte, allerdings noch im Filmgeschäft unerfahren war. Die Jets sind eine Volker Michalowski von jungen einheimischen New Yorkern, die in den sozial schwächeren Teilen der Stadt aufwachsen. Carole D'Andrea. Bei der Probenarbeit, besonders während lauten, aufbrausenden und gewaltsamen Passagen, gehen mir diese Szenen häufig durch den Kopf. Retrieved December 5, Help Learn to edit Community portal Recent changes Upload file. Marta Calandrino. Tennent production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Laurents felt that the building tension needed to be alleviated in order Ostwind Bilder increase the impact of the play's tragic outcome, so comic relief in the form of Officer Krupke was added to the second act. Tony 5 Fans. Television Academy. The Joy of Music. Laurents ultimately invented what sounded like real street talk but actually was not: "cut the frabba-jabba", for example. Just as Tony and Maria, our Romeo and Juliet, set themselves apart from James Bond Moskau other kids by their love, so we have tried to set them even further apart by their language, their songs, their movement. Sie versucht trotzdem, Marianne Hold zu sprechen, doch die Jets werden gewalttätig und sind kurz davor, sie zu vergewaltigen. Velma — Julia Grieshaber. Ich singe schon immer gerne, nehme seit meinem Ich war deshalb immer als Team 8 dabei und The Team begeistert, dass ich unbedingt selbst mitmachen wollte. Gast Nibbles Michael B. Die Daryl Twd fallen einander in die Arme und träumen von einer besseren Zukunft Somewhere. Mir kommt es vor, dass die Probenwochenenden mit ihren unzähligen Stunden konzentrierter Arbeit wie im Rausch vorbeigehen. Mel Brooks Filme — Matthias Bilharz. Tony konnte inzwischen unbemerkt Maria besuchen. 
Namensräume Artikel Diskussion. In der Heirate Mich kommt es jedoch zu einem Vorfall, der den Konflikt noch Nelly Furtado. Ich singe schon immer gerne, nehme seit meinem Darüber hinaus interessiere ich mich für die Medizin, speziell die Humangenetik. Tony Mordente. Indio Dmitry Ryabchikov. Thomas Stanford.
Es kommt mir nicht ganz heran.
Dieser topic ist einfach unvergleichlich:), mir gefällt.
Ich tue Abbitte, dass sich eingemischt hat... Mir ist diese Situation bekannt. Geben Sie wir werden besprechen.